The C100 has the curious option of shooting AVCHD with 3:2 pulldown. Also, the GH2 has been hacked, sort of like super Magic Lantern. The band consisted of: Marco Landa - keys, Gary Feist - bass, and Ernie Durawa - drums movs to your Mac, use either 5DtoRGB or MPEGStreamClip to. The Lumix lens is a fairer representation.Īustin Skyline background and chroma key wall courtesy of Broadway Digital. I felt that the Rokinon Cine 24mm was softer than the 35mm version, and feel the GH2 suffers from this slightly as I primarily paired those two. In hindsight, perhaps I should have either WhiBal'd both cameras together (which I did for the band shots) or spent some time trying to make the GH2 match better, though people have been trying this with the AF100 too and it's still hit-or-miss. I used a WhiBal card to set the balance on the C100, then matched the reported Kelvin manually on the GH2. The color difference stands out, along with contrast, but I adjusted that in post (the sole image adjustment I performed).
#5dtorgb gh2 windows#
I intended to do the entire test using Flow Motion, but ran into a bug where it "rained" in the shots, which is a known bug, and those shots were transcoded to ProRes 4:2:2 HQ via the Windows 圆4 version of 5DtoRGB. I used a program called 5DtoRGB, transcoded to DNxHD/the default settings. THIS IS FOR RAREVISION 1.56 beta (b2) DO NOT USE WITH version. When viewing mts files from a hacked Panasonic GH2 shot under certain. GH2 hacked with Sedna AQ1 and Flow Motion 2.02 and the picture style was set to Standard, -2, -2, -1, -2. is a GUI interface to do batch work under windows for Rarevision 5DtoRGB.
#5dtorgb gh2 pro#
Also it fixes stupid gamma issues inherent in macs and fcp.Canon C100 was set to 1/48 and the EOS Standard picture style. Transcoded to ProRes 422 (HQ) with 5DtoRGB Batch Edited with Final Cut Pro X Color Graded with FCPX Letterbox-Effect with FCPX Music from Magix (French Dream) TIMELAPSE-INFO Panasonic Lumix GH2 JPG Smooth (-2, -2, -2, 0) ISO 640 WB Sunny Panasonic Pancake 14mm 1:2.5 Aperture Mode (Manual Mode would have been better) Aperture 4. 5DtoRGB was mainly created because of the issues of editing canon DSLR files with final cut pro since any other method like log+transfer or compressor cannot upsample to 4:2:2 as losslesly as 5dtorgb. If, you're editing on final cut pro 7 and you're on mac, then I think 5dtorgb is essential if you want best results. With conversion apps like Cineon, 5DtoRGB (for canon cameras).
If you're on premiere cs5 or 5.5 and you have a good cpu and gpu then I think there's no reason to transcode. (download the video for best results) I always thought my shots looked darker than the originals when editing in FCP, now I know there's an alternative. or hacked GH1/GH2 firmware (new GH2 custom firmware is hitting over 40Mb/s on avchd). THIS IS FOR RAREVISION 1.56 beta (b2) DO NOT USE WITH version 1.54 It finds your. Also, less compressed files are quicker to work with and render in programs like after effects when composting etc. 5DtoRGB batch GUI is a GUI interface to do batch work under windows for Rarevision 5DtoRGB.
#5dtorgb gh2 32 bit#
But I have found that Color Finesse 3 is so accurate and it's 32 bit floating point works so well, that there's absolutely no difference whatsoever. This I'm quite sure holds true when using mediocre color correction programs. Well, first off, the option to use it is simply awesome so big ups to rarevision.įor me it comes down to the platform and workflow you use.įor instance, one argument is that converting to higher quality Prores or DNXHD 10bit files will give you more headroom in color correction.
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